Motivated and hungry for new experiences, Ms. Brueggergosman’s highlights on the opera stage include Giulietta and Antonia Les contes d’Hoffmann, Elettra Idomeneo, Madame Lidoine Dialogues des Carmélites, Jenny in Weill’s Mahagonny, Emilia Marty Věc Makropulos, Hannah in Miroslav Srnka’s Make No Noise, and Sister Rose in Jake Heggie’s Dead Man Walking.
On the concert platform her appearances include the Boston Symphony Orchestra, New York Philharmonic Orchestra, Cleveland and the New World Orchestras, San Francisco and London Symphony Orchestras with conductors such as Barenboim, Sir Andrew Davis, Dudamel, Harding, David Robertson, Tilson Thomas and Welser-Möst.
Measha began her career predominantly committed to the art of the song recital and has presented innovative programs at Carnegie Hall, Washington’s Kennedy Center, London’s Wigmore Hall, both the Konzerthaus and Musikverein in Vienna, Madrid’s Teatro Real, as well as at the Schwarzenberg, Edinburgh, Verbier and Bergen Festivals with celebrated collaborative pianists Justus Zeyen, Roger Vignoles, Julius Drake, and Simon Lepper.
Her first recording for Deutsche Grammophone, Surprise, includes works by Schoenberg, Satie and Bolcom and is one of the most highly regarded debut albums of recent years. Her subsequent disc Night and Dreams, which features songs by Mozart, Brahms, Strauss, Schubert, Debussy, Duparc and Fauré won several awards and her recording of the Wesendonk Lieder with Franz Welser-Möst and the Cleveland Orchestra earned her a Grammy nomination.
Measha Brueggergosman champions the education and involvement of new audiences and holds several honorary doctorates and ambassadorial titles with international charities.