DAVID POUNTNEY

David Pountney director became internationally known through his production of Katya
Kabanova at the 1972 Wexford Festival. Between 1975 and 1980, he was Director of
Productions for Scottish Opera. Productions there featured a Janáček cycle in collaboration
with Welsh National Opera. He directed the world premiere of David Blake’s Toussaint in
1977 (ENO) and went on to become ENO’s Director of Productions in 1980, directing over
20 operas, and took a leading part making ENO a powerful engine of radical theatrical
experiment. He has directed over 20 world premieres, including three by Peter Maxwell
Davies for which he also wrote the libretto, and has translated operas into English from
Russian, Czech, German and Italian. He continues to be an enthusiastic libretto writer. As a
freelance director from 1992 he worked regularly in Zurich, at the Vienna State Opera,
Bayerische Staatsoper as well as opera houses in America and Japan. He received a
Janáček medal for his Janáček cycle in Wales and Scotland, and a Martinů medal for his
productions of Julietta and Greek Passion (Opera North and Bregenz Festival). His
productions have twice won an Olivier award. Recent engagements include Saul og David in
Copenhagen, The Passenger (Houston, New York and Chicago); Kommilitonen, his third
opera written in collaboration with Peter Maxwell Davies (Royal Academy of Music and US
premiere at the Juilliard School, New York); a new Philip Glass opera, Spüren der Verirrten,
for the opening of a new opera house in Linz which won the Schickaneder Prize for best
opera production in 2013, and Die Zauberflöte for the lake stage in Bregenz, where he was
Intendant from 2003 - 13. Since 2011 he has been Artistic Director of Welsh National
Opera where he has directed Berg’s Lulu, Rossini’s Guillaume Tell, Mosè in Egitto, Pelléas
et Mélisande, In Parenthesis (world premiere), Elena Langer’s opera “Figaro gets a Divorce.”
(world premiere), and Un Forza di Destino – the start of a Verdi trilogy. Future plans include
two new productions at La Scala Milan, and he is currently working on a new Ring Cycle for
the Lyric Opera of Chicago. He is a CBE, a Chevalier in the French Ordre des Arts et
Lettres, has the Cavalier’s Cross of the Order of Merit of the Republic of Poland and was
awarded the Ehrenkreuz des Bundes Oesterreich in 2014. He was recently awarded an
Honorary Fellowship of the Royal Welsh College of Music and Drama and Cardiff University
in recognition of his contribution as an artist and cultural leader.

Instrument
Director